| MICHAEL JOAQUIN GREY | |
Born in Los Angeles, California |
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Lives in San Francisco and New York City |
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artist, inventor, educator |
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| EDUCATION | |
1984 |
University of California & Berkeley, Genetics BS |
| University of California & Berkeley, Practice of Art BA | |
| 1987 | University of California & Davis, MFA Program |
| 1990 | Yale University, Sculpture MFA |
| SELECTED SOLO EXHIBITIONS | |
| 2013 | Zero 1 Garage: Michael Joaquin Grey, Silicon Valley, California |
| 2013 | "Orange between orange and Orange", Carroll/Fletcher Gallery, London |
| 2011 | "Botticelli | Grey", Gemäldegalerie, National Museum, Berlin. |
| 2010 | "Horizon Over Time", Galerie Sherin Najjar, Berlin. |
| 2009 | MoMA / P.S.1 Contemporary Art Center, New York. |
| 2007 | "Sediment, Sentiment, Sentient", Fringe Exhibitions, Los Angeles. |
| 2006 | "Reentry: From Primordial to Precocial", Bitforms, NYC. |
| 2005 | "Weather Reports and the Matter of Media: Please Follow the Yellow Line", Bitforms, Seoul. |
| 2003 | Bitforms, New York |
| 1995 | Kunsthalle Loppem, Belgium |
| 1993 | Brooke Alexander Editions, New York |
| 1992 | Lisson Gallery, London |
| Barbara Gladstone Gallery, New York | |
| Stuart Regen Gallery, Los Angeles | |
| 1990 | Petersburg Gallery, New York |
| SELECTED GROUP EXHIBITIONS | |
| 2013 | "Transposition: Motion is Action", National Art Musuem of China, Beijing, Curator: Zhang Ga |
| "NYC 1993: Experimental Jet Set, Trash and No Star", New Museum, NY | |
| SPRING / BREAK Art Show, New York, Curator: Kyle DeWoody | |
| Art Stage Singapore, Carroll/Fletcher Gallery, Indonesia | |
| Art Rotterdam, Carroll/Fletcher Gallery, Netherlands | |
| Art Brussels, Carroll/Fletcher Gallery, Belgium | |
| 2012 | "Cartographies of Hope", DOX Center, Prague, Curator: Jaroslav Andel |
| Loop Festival, Barcelona, Exhibitor: Senda Gallery, Spain | |
| "(Un)folding Patterns", Dorsky Gallery, Long Island City, NY, Curator: Ombretta Agro Andruff | |
| "Experimental Films Now and Then", Czech Center, New York, Curator: Jaroslav Andel | |
| The Armory Show, New York, Galeria Senda, Barcelona | |
| "Century of the Child", MoMA, New York, Curator: Juliet Kinchin | |
| 2011 | "Seeing / Knowing: Gund Gallery Inaugural", Graham Gund Gallery, Kenyon College, OH. Curator / Director : Natalie Marsh |
| "At Fifty: Krannert Art Museum 1961 - 2011", Krannert Art Museum, IL. Curator: Michael Rush | |
| "Standard Deviations: Types and Families in Contemporary Design", Museum of Modern Art, New York. Curator: Paola Antonelli |
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| "Obstacle", The Invisible Dog Art Center, Brooklyn. Curators: Steven and William Ladd | |
| "Fundamentally Human: Visual Art and Neuroscience", Pera Museum, Istanbul. Curator: Suzanne Anker | |
| "Midnight Party", Walker Art Center, Minneapolis. Curator: Joan Ruthfuss | |
| The Armory Show, New York, Galeria Senda, Barcelona | |
| "The Digital Any-Space-Whatever", CAA, 99th Annual Conference, New York. Curator: Claudia Hart | |
| 2010 | "Painting and Sculpture: Foundation for Contemporary Arts Benefit Exhibition", Lehmann Maupin Gallery, New York |
| "Greater New York", Rotating Gallery (curated by Clarrisa Dalrymple), MoMA/P.S. 1 Contemporary Art Center, New York | |
| "Plus One", (curated by Dan Cameron), Perry Rubenstein Gallery, New York | |
| "Matters of Media III", SFMoMA, San Francisco. New Art Trust | |
| "Works of Michael Joaquin Grey"', Sundance Film Festival, Park City, Utah | |
| "The Best of LOOP: Remote Viewing", (curated by Paul Young), Pacific Design Center, LosAngeles; and Centre d'Art Santa Monica, Barcelona | |
| "Remote Viewing", Arts Santa Monica, Pacific Design Center, Los Angeles. Curator: Paul Young | |
| "A Man is Not a Tree", Galerie Sherin Najjar, Berlin | |
| 2009 | "Spazialismo", Bitforms, NYC. |
| "Art and Electronic Media", curated by Edward Shanken, Bitforms, NYC. | |
| "Illiterature", Arena 1 Art Gallery, Santa Monica. | |
| Loop Festival, awarded Premier Selection, Barcelona, Spain. | |
| 2008 | NASA 50th Anniversary, "Yuri's Night:2008", NASA Ames Research Center, Moffet Field, CA. |
| "Illiterature", LIMN Art Gallery, San Francisco. | |
| 2007 | Berkeley Art Museum and Pacific Film Archive, "RIP.MIX.BURN.BAM.PFA", Berkeley, CA. |
| Gagosian Gallery, "Beneath the Underdog", New York. | |
| LEADED, touring exhibition with five venues (through 2009), Joel and Lila Harnett Museum of Art, University of Richmond Museums; Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA; Western Gallery, Western Washington University, Bellingham, WA; Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR; Memorial Art Gallery, University of Rochester, NY; Yellowstone Art Museum, Billings, MT. | |
| 2006 | CUT/FILM: Film as found object in Contemporary Video, Curated by StefanoBasilico, Traveling Museum Show: MOCA, North Miami, Milwaukee ArtMuseum, Philbrook Museum of Art, (Catalog), 2004 |
| "Hedonistic Imperative", Deborah Coulton Gallery, Houston, Curated by Graham Guerra, 2006 | |
| 2005 | 34th International Rotterdam Film Festival, Art of Listening, curated by Kathleen Forde, 2005 |
| "Hedonistic Imperative", Jack The Pelican,Curated by Graham Guerra, 2005 | |
| The Black Box, Curatorial Project ARCO’05, “The Fourth Flavor” 2005 | |
| 2004 | CUT/FILM: Film as found object in Contemporary Video, Curated by StefanoBasilico, Traveling Museum Show: MOCA, North Miami, Milwaukee ArtMuseum, Philbrook Museum of Art, (Catalog), 2004 |
| "Time and Temperature", Bitforms, Curated by Michael Rees, Traveled to Deborah Colton Gallery, Houston, July 2004 | |
| Nassau County Museum, “Byte”, Michael Joaquin Grey, Manfred Moore, TonyOssler, Barbara Nessim, Michael Rees Jan-March 2004 | |
| 2003 | Bitforms Group Show, Summer 2003 |
| 2002 | Genart, “NewFangle”, Curator, San Francisco, Fall 2002 |
| Santa Monica Museum of art, “Extreme Prints”, Nov 2002 | |
| 111 Minna Gallery, “Gestures”, Curated by Sabina Ott, Sept 2002 | |
| Dance Showcase Sweden Stockholm & Göteborg; choreography & Dance Collaboration: House of Twist: Michael Joaquin Grey, Steven Petronio,Golan Levin, 2002 | |
| 2001 | Los Angeles Museum of Contemporary Art, Los Angeles, “Public Offerings”, curated by Paul Schimmel, (catalog), 2001 |
| 2000 | Norrtalje Konsthall, Sweden, “Circus, Circus”, curated by Fredrik Harleman, traveled to Konsthall Barbacka, Sweden, (catalog), 2000 |
| 1999 | TT, (Think Tank), Hirsh Foundation, Morocco, October, (catalog), 1999 |
| Entwistle, “Holding Court”, London, January, 1999 | |
| 1998 | Santa Monica Museum of Art, “[re] Mediation: The Digital in Contemporary American Printmaking”; traveled to University of South Florida Contemporary Art Museum, 1998 |
| Tel Aviv Museum of Art, “Plastic Times”, (catalog), Israel, 1998 | |
| Duke Museum of Art, “Interface: Art + Tech in the Bay Area”, 1998 | |
| 1997 | Museum of Modern art, New York, “New Acquisitions--Printmaking” TheOverintelligent Film in collaboration with Paulina Wallenberg-Olsson(first Iris print collected by MOMA), 1997 |
| Katonah Museum of Art, “Toying With Architecture: The Building Toy In the Arena of Play 1800 - Present”, (catalog), New York, 1997 | |
| Richard Heller Gallery, “A Scattering Matrix”; (catalog), Los Angeles, | |
| “Mute”, Michael Joaquin Grey, Thomas Demand, Patricia Piccinini; Linda Dement, London (CD publication), 1997 | |
| Deutsches Museum Bonn, Germany (Book), “Art and the Brain”, curated by Hans Ulrich Obrist, 1997 | |
| 1996 | Basilico Fine Arts, New York, 1996 |
| The New York Kunsthalle, “Echoes”, curated by Francesco Bonami, 1996 | |
| 1995 | Museum of Contemporary Art, Chicago, “Projects”, 1995 |
| Basilico Fine Arts, New York, 1995 | |
| Huntington Arts Center, “Veered Science”, Huntington Beach, California,1995 | |
| 1994 | Metro Pictures, New York “Notational Photographs”, 1994 |
| Barbara Gladstone Gallery, New York, 1994 | |
| Margo Leavin Gallery, “Donald Judd, Sol Lewitt, Michael Joaquin Grey”, Los Angeles, 1994 | |
| Angles Gallery, Santa Monica, “Serial”, 1994 | |
| Lisson Gallery, London, “Beyond Belief”, 1994 | |
| Cohen Gallery, New York, “Drawing on Sculpture”, 1994 | |
| Landes Gallerie, Linz, “15 Years of Ars Electronica”, 1994 | |
| The Techniska Museum, IVA Show, Stockholm, Sweden, 1994 | |
| Mitchell Algus Gallery, New York, Robert Smithson, Donald Judd, Matthew Ritchie, Michael Joaquin Grey, 1994 | |
| Museum of Contemporary Art, San Diego, Curated by Kathryn Kanjo, “Breakdown”:Jorge Pardo, Rita McBride, Michael Joaquin Grey”, (catalog),1994 | |
| Serpentine Gallery, London “Some Went Mad, Some Ran Away” curated by Damien Hirst, Traveled to Nordic Art Centre, Helsinki, Finland;Kunstverein Hannover, Germany; Museum of Contemporary Art, Chicago, (Catalog), 1994 | |
| 1993 | Thomas Solomon’s Garage, Los Angeles “Science Fair”, 1994 |
| The New Museum of Contemporary Art, New York “The Final Frontier”, 1993 | |
| Tokyo International Arts Museum, Tokyo, “A-Life”, 1993 | |
| Whitney Museum of American Art, New York “1993 Biennial Exhibition” (collaboration with Randolph Huff), 1993 | |
| The National Museum of Contemporary Art, Seoul, Korea, 1993 | |
| Terrain Gallery, San Francisco “Dark Star: Paintings the Color of Television Tuned to a Dead Channel”, 1993 | |
| Galerie Max Hetzler, Koln, Germany, 1993 | |
| Neuger Gallery, Berlin, Germany, 1993 | |
| 1992 | Barbara Gladstone Gallery, New York, 1992 |
| Ho Gallery World Art, Hong Kong, 1992 | |
| Jack Tilton Gallery, New York “Through the Looking Glass” (collaboration with Randolph Huff), 1992 | |
| Stuart Regen Gallery, Los Angeles, 1992 | |
| 1991 | Barbara Gladstone Gallery, New York, 1991 |
| Stuart Regen Gallery, Los Angeles, 1991 | |
| 1990 | Petersburg Gallery, New York, 1990 |
SELECTED ARTICLES AND PUBLICATIONS
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| 2013 | "NYC 1993: Experimental Jet Set, Trash and No Star", exh. -cat. New Museum, NY |
| " Cartographies of Hope", Jaroslav Andel, exh. -cat. DOX Center, Prague | |
| "Michael Joaquin Grey: Orange between orange and Orange", David Barrett, Art Monthly, March | |
| "Picks of the Day 2: Art Rotterdam", Katherine Dunn, Frameweb, January | |
| 2012 | "Century of the Child: Growing by Design 1900 - 2000", Juliet Kinchin, Aidan O'Connor, exh. -cat. Museum of Modern Art, NY |
| 2011 | "Botticelli|Grey", Sherin Najjar, Stefan Weppelmann, exh.-cat.Gemäldegalerie der Staatlichen Museen zu Berlin, Germany |
| "Fundamentally Human: Visual Art and Neuroscience",Suzanne Anker, exh. -cat. Pera Museum, Istanbul | |
| Michael Joaquin Grey "Between Simonetta", Studio. ART - Das Kunstmagazin, November | |
| "Schau mir in die Augen", Christiane Meixner, Kleine, Die Welt, 25. August | |
| 2010 | "Peak Condition", Jeremy Kay, Screen International, January 15 |
| 2009 | "Art and Electronic Media (Themes & Movements), "Edward A. Shanken, New York, USA / London, UK |
| "Visual Culture and Bio Science, (Issues in Cultural Theory)", ed. Suzanne Anker and JD Talasek, Center for Art, Design and Visual Culture, UMBC, Maryland |
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| "Erdkunde mit Klaus Biesenbach", Klaus Biesenbach, Monopol Magazin, June | |
| "Michael Joaquin Grey", Saul Ostrow, Art in America, November | |
| "Basic Structures: Michael Joaquin Grey at P.S.1.", Brian Droitcour, Rhizome, July 24 | |
| "Illiterature at Arena 1 Gallery, Leah Ollman, Los Angeles Times, March 5 | |
| "Art In Review", Ken Johnson, The New York Times, July 17 | |
| "Michael Joaquin Grey", Halle Howard, Time Out New York, Aug 13 - 19 | |
| 2007 | "Squat Fuzz", Linda Yablonsky, Village Voice, May 9-15 |
| "Deal or No Deal", Jerry Saltz, New York Magazine, June 4 | |
| "Graphite Show on Tap at U of R", Roy Proctor, Richmond Times Dispatch, Aug 19 | |
| 2006 | "Algorithmic Culture", Rachel Liberman, Gay City News, Mar 30 |
| 2005 | New York Times, Roberta Smith, “A Medium in the Making: Slicing Familiar Films Into Something New”, July 29, 2005’ |
| “Cut: Film As Found Object In Contemporary Video”, (Catalog), Stefano Basilico, Essays By Lawrence Lessig, Rob Yeo, Milwaukee Museum of Art, 2005 | |
| Journal Sentinel, Schumacher, Mary Louise, “Video Art Exhibit Shows What is Possible, Even Good”, July 2005 | |
| 2004 | Kunst Nach Der WissenSchaft, Art after Science”, (Book), Susanne Witzgall, Contemporary Art in the discourse of the natural sciences; Edited by Institute for Modern Art, Nuremberg, Germany, 2004 |
| 2003 | New Yorker, Goings On About Town, March, 2003 |
| 2002 | Boards Magazine, “The Sound of Time”, February, 2002 |
| 2001 | Public Offerings, (Catalog), Paul Schimmel, Los Angeles Museum of Contemporary Art, 2001 |
| Yahoo! Finance, The Sound of Time: New Creative Tool Links Music and Motion/Nike Brand Jordan to Launch New Ads Using Breakthrough Editing Technology, Dec 17, 2001 | |
| The Digital Video Editing, “New Creative Tool Links Music and Motion”,December 2001 | |
| 2POP, Erin Lauten, “Neuman, Grey Unveil ‘The Sound of Time’.”, 2001 | |
| The Business Journal Portland, “W+K to Deploy New Multimedia System of Jordan Ads”, Dec. 17, 2001 | |
| 2000 | The Tampa Tribune, Milani, Joanne, “e-Science meets e-Arts”, February 11, 2000 |
| Aftonblandet, “Kultur”, John Peter Nilsson, Stockholm, Sweden, August, 2000 | |
| 1999 | The New York Times, Lawrence M. Fisher, “Surfing the Human Genome”, September 20, 1999 |
| The Washington Post, Oldenburg, Dan, “A Cornucopia of Toys”, February 16,1999 | |
| The Columbus Dispatch, Blundo, Joe, “Plenty of Playthings”, February 18,1999 | |
| I.D. Magazine Design Review 1999, “Design Distinction – Consumer Product”, July – August (Award), 1999 | |
| The Washington Post, Hales, Linda, “Objects of Desire: 1999’s Best Designs”, July 31, 1999 | |
| Merge Magazine, Hunt, David, “Grey, Orange and Soul” , Summer 1999 | |
| JUMP, Voltolina, Carlotta, “ZOOB: Il “Lego” Dell’era Digitale”, Summer (Cover Story), 1999 | |
| Asian Entrepreneur Magazine, “Building ZOOBs”, December 1999 | |
| 1998 | Bikini Magazine, Cessna, Walter, “ZOOB Fashion for Future Worlds”, February 1998 |
| Leonardo Magazine, Shanken, Edward, “Life as We Know It or/and Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life”, Feb. Vol. 31, 1998 | |
| Leonardo Magazine, Rinaldo, Kenneth, “Technology Recapitulates Phylogeny: Artificial Life Art”, Leonardo Magazine, Feb. Vol. 31, 1998 | |
| Rethinking Schools, Kohl, Herbert, “ZOOBs: A Challenge for the Hand and Mind”, Spring 1998 | |
| City Link, Dougher-Telcik, Colleen, “Toy Story”, (Cover Story), March 25,1998 | |
| Inc. Magazine, Bianchi, Alessandra, “DNA-Like Toy Inspires Brand Creation”, March 1999 | |
| Popular Mechanics, “Natural Snap-Aparts”, June 1998 | |
| Artbyte, Shanken, Edward A., “From Drips to ZOOBs: The Cosmology of Artist/Inventor Michael Grey”, August – September (Cover Story), 1998 | |
| The Los Angeles Times, San Jose Mercury News, San Francisco Chronicle: California Arts Council: “Michael Grey and Primordial, LLC: A Real-Life Toy Story”, Business, Technology and the Arts – California’s CompetitiveAdvantage, Supplement to West Coast Newspapers, Fall 1998 | |
| The New York Times Magazine, Jana, Reena, “Toying with Science”, (Feature Article). October 4, 1998 | |
| 1997 | The Wall Street Journal, Pereira, Joseph, “...ZOOB Upstage Barbie in Toy Parade”, (Front Page – Business Section), December 22, 1997 |
| Interview, Kopelman, Jill, “Toy Stories”, April 1997 | |
| Speak Magazine, Matza, Tomas, “The Toybox Where Art and Science Play”,Summer 1997 | |
| ART/TEXT, Ritchie, Matthew, “Five of a Kind”, August – October (Cover Story), 1997 | |
| San Jose Mercury News, Martin, Rick E., “My ZOOB can beat up your Legos”, September 28, 1997 | |
| I.D. Magazine, “New and Notable”, October, 1997 | |
| San Francisco Magazine, Bell, Catherine, “Toy Boy”, October, 1997 | |
| New York Magazine, “Pop Art”, November 3, 1997 | |
| San Francisco Chronicle, Emert, Carol, “ZOOB Toys Zooming”, (Front Page –Business Section), November 21, 1997 | |
| Crayola Kids Magazine, “The ZOOB Guy”, September (Feature Article),1997 | |
| Consumer Reports, “Master Builder I”, December 1997 | |
| Family Fun Magazine, “Toy of the Year Awards”, December (Award), 1997 | |
| 1996 | The Los Angeles Times, Susan Kandel, “Images of the Past and Uncertain Present”, November 21, 1996 |
| 1995 | Art Journal, “Jelly Lovers: Dreams of Causality”, 1995 |
| The Zing Magazine, Friedman, Terry, Autumn, 1995 | |
| Los Angeles Times, Calendar Magazine, Dubin, Zan, “Artists Meet the Machine Age”, July 4, 1995 | |
| Los Angeles Times, Curtis, Cathy, ”A Show Mr. Wizard Would Be Proud Of”, August 15,1995 | |
| 1994 | wired Magazine, Pinchbeck, Daniel, “The Second Renaissance”, December 1994 |
| Material: Journal of Contemporary Art, Sven-Olov Wallenstein, Erik vander Heeg, “Peeling an Orange Between an Orange and an Orange”, December 1994 | |
| 1993 | The New Yorker, “On the Town”, November 26, 1993 |
| Flash Art, Rees, Michael, “Yale Sculpture”, May/June 1993 | |
| Flash Art, Bonami, Francesco, “Dion, Grey, Joo, Pardo, Pippin, Tiravanija”, May/June 1993 | |
| 1992 | Flash Art, Decter, Joshua, “Michael Joaquin Grey”, Summer 1992 |
| The London Telegraph, Dorment, Richard, “Drawing the Future with a Microchip”, September 16, 1992 | |
| Los Angeles Times, Pagel, David, “A mix of Romper Room and Science Lab”, February 13, 1992 | |
| The New York Times, Smith, Roberta, “Art in Review – Michael Joaquin Grey”, April 17, 1992 | |
| The Village Voice, Levin, Kim, “Choices”, April 28, 1992 | |
| Galleries, Saltz, Jerry, “Premiere: Michael Joaquin Grey”, April 1992 | |
| Flash Art, Selwyn, Marc, “Michael Joaquin Grey – Dysfunctional Playground”, May/June 1992 | |
| Artforum, Weissman, Benjamin, “Michael Joaquin Grey – Stuart Regen Gallery”, May 1992 | |
| 1991 | Cover Magazine, Amann, Gloria, “Michael Joaquin Grey”, January 1992 |
| Artforum, Avgikos, Jan, “Michael Joaquin Grey at Petersburg,”, March 1992 | |
| Arts, Saltz, Jerry, “Big Science: Michael Joaquin Grey’s Electron M. 1990”, March 1992 | |
| Art & Auction, Cameron, Dan, “Is There a Thaw?”, May 1992 | |
| 1990 | The Village Voice, Levin, Kim, “Choices”, December 7, 1990 |
| The New York Times, Smith, Roberta, “Echos of 60’s and 70’s Among theYoung and Little Known”, November 30, 1990 | |
| SELECTED ART RELATED LECTURES 1990 - 2004 | |
| University of California, Berkeley: California College of Arts; University of California, Los Angeles; Art Center College of Design; New YorkUniversity; Rhode Island School of Design; Bryn Mayr College; Tyler school of Art; Haverford College; Columbia University; Harvard University; School of Visual Arts; Parsons School of Design; Swarthmore College; Pratt Institute; Otis College of Art and Design; University of California. Santa Barbara; University of California. San Diego; University of California Davis; Oberlin College; New York University; Courant Institute of Mathematical Sciences; The Art institute Chicago; The Exploratorium; Zeum; University of Southern Florida; Duke University; CalArts; Stanford University; Yale University; Brown University; MIT (CAVS)Center for Advanced Visual Studies; MIT Media LAB; Royal College of Art, London; Goldsmith’s’ College, University of London; Konstfack, University College of Art and Design, Stockholm, Sweden; Royal College of Fine Arts,Stockholm, Sweden; San Francisco Art Institute; Xerox Parc; University of California Berkeley; IEOR; Wexner Center; Ohio State University;University of Southern California; Cooper Union; Interactive Telecommunications Program (ITP); Ars Electronica center; Eyebeam; Upgrade; Nasa Ames Research Center; San Francisco Art institute, WetLabNY | |
| ZOOB/ PRIMORDIAL RELATED LECTURES, EVENTS, WORKSHOPS, COLLABORATIONS, PROMOTIONS 1997 - 2000 | |
| Widen + Kennedy Culture Talk; Disney executive retreat; Ernst & Young Complexity Conference; Price Waterhouse Coopers Conference, Apple Computer Retreat; Blackberry Technologies Promotions; Protozoa collaboration (real-time animation); CNET corporate training; Hal Riney collaboration (website); Brand Building Conference; First Union Bankmatching challenge with 500 schools; SF school volunteers; Save the Children sponsor w/ Denny’s & Chiat/Day TBWA; TicToc/Collaboration; Otis School of Art Event; Duke University Museum Event; Pasadena Art CenterSponsor; California College of Arts and Craft event; Berkeley (Integrative Biology; Haas Business School; Art Department; Engineering School--Lecture); National Math Conference; Mathorama; National Geometry Conference; Eyebeam Atelier Digital Day Camp; Dan Marino Center for Autistic Children; Wired Magazine event; ZOOB Day Yankee Stadium Sponsor; KRQQ Christmas Party event; Sci-Fi/Fantasy Convention; ZOOFEST(San Francisco ZOO); Bronx ZOO; Webby Awards; Club Disney launch; Camp winnarainbow workshop; NASA Space Camp workshop; Nike R + D Workshops;MIT MEDIA LAB collaboration; Woodstock event; SF Academy of Sciences; X-games event; Kentucky Derby event; Ballet Tech/Joyce Theatre collaboration; LACE event; Governor’s Conference of the Arts;Exploratorium; Bay Area Discovery Museum; Children’s Museum of Manhattan; Camp Invention/Inventure Place; Star Wars 1 launch event; Pixar launch; A Bugs Life; Pixar workshops; Colossal Pictures stop frame animation collaboration; Tippet Studios event; Natural History Museum NYC; Comic Book Convention; Planet Hollywood event; ZEUM workshop; Buena Vista Museum; Please Touch Museum; Kunsthalle Nortellje Stockholm Sweden show; New York Toy Fair; Russian Toy Fair; Japanese Toy Fair; German Toy Fair; etc...; Gap (First Season Promotion and Installation); Franklin Institute event; Thames Science Center; Liberty Science Center; Kate Spade collaboration/Los Angeles/NY; Evening Magazine; Crayola Kids Magazine; ID Magazine; ArtByte promotion; Business 2.0; MaMa Media; Kellogg’s; Toy Smart US Tour; Genentech Promotion; Panvera Promotion;Yahoo Promotion; Sun Microsystems promotion; SRI; Lucas Learning Exchange; Macromedia; Bikini Magazine photo shoot (model ZOOB dresses);International Denny’s promotion; Kaboom (Building intercity playgrounds); Lamb and the Lion Project; Disney Channel Executive Retreat; Television:100’s of spots and interviews (including): Sex in the City; Third Watch; Suddenly Susan; Toy Soldiers; Stuart Little; Jack Frost; Jawbreaker; Chicago Hope; 3rd Rock from the Sun; Jack and Jill; Drew Carey Show; Friends; ER; Dharma & Greg; Rosie O’Donnell; Oprah; CBS News; Sci FiChannel; Fox Kids Insterstitals; MTV; ZERO One Conference; NBC Today Show; ZOOBMOBILE USA tour (7000 miles). | |
| LICENSED INVENTIONS AND PATENTS | |
| Hamster cam™ | |
| Watchie Talkie™ | |
| Primordial ZOOP® | |
| Citroid System Technology® | |
| ZOOB® play system (over 50 products) | |
| AWARDS | |
| 2009 | Premier Selection Award, Loop Festival, Spain |
| 2003 | Adobe Public Art Competition Finalist |
| 1999 | ID Magazine, ZOOB, Design Distinction |
| 1998 | The American Toy Institute Award, ZOOB |
| Early Childhood News, ZOOB, Director's Choice | |
| National Parenting Center, ZOOB, Seal of Approval | |
| Lion & The Lamb Project, ZOOB, Top 10 Recommended Non - Violent Toy | |
| ASTRA, ZOOB, Top 10 Favorite Toy | |
| 1994 | Golden Nica Award, Ars Electronica, Austria |
| 1990 | Yale University: Rebecca Taylor Porter Award |
| 1987 | Regents Scholar UC Davis |
| 1987 | Ford Foundation Fellowship |
| 1984 | Regents Scholar UC Berkeley |
| BOARDS AND COMMITTEES | |
| Leonardo: International Society for the Arts, Sciences and Technology Board of Directors | |
| Board of Advisors, Eyebeam | |
| Art, Technology, and Culture Advisory Board University of California & Berkeley | |
| EYEBEAM Architectural Competition Selection Committee | |
| Zero One Advisory Committee | |
| Berkeley Interdisciplinary Design (BID) Board of Advisors | |
| Primordial LLC, Board of Managers | |
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